The Magician King by Lev Grossman

4

Following the events of the magicians, Quentin Coldwater is now one of the Kings of Fillory. It’s something he never dared to dream he’d have…but he’s still not happy. He’s restless. In trying to find occupation in adventure, Quentin stumbles upon something much more cosmically important leading to revelations and undesirable outcomes.

Though this is a sequel to The Magicians, this book doesn’t really feel that way to me. There are some references to Alice and Brakebills (the magic school) days, but they are almost pointless in the grand scheme of things. If you haven’t read the Magicians, it won’t be a problem in terms of understanding the story. I mean, if the names had been changed this could have easily been a separate stand-alone novel. For me, this wasn’t the best choice since what I like about sequels is those nods to the first book or when something in book one directly affects book two. For me these weren’t really there, and though I can appreciate the book it doesn’t feel like too much of a sequel to me personally.

The magic aspect was also elusive. The world was fantastical and there were other times when the magic of landscape was obvious, but other times it felt like the book had forgotten it was a fantasy book and things like magic were forgotten. Book one was a bit like this, but not to the extreme of the Magician King. There is only really one bit that this seems to go away, when Quentin is blasting magic left, right and centre.

But this highlights the crafting that has gone into the book. One thing Quentin says is that he doesn’t feel like a king, let alone a magician, most of the time. By the lack of magic and these things, we really feel this too. And it annoyed me, even enraged me, which only meant I could understand Quentin better.

This was the same for the general idea of Fillory and “real-life magic”. Quentin reminds us every few chapters that magic in books is often good and there is always a happy ending. Even the sadder endings are not so harsh on the characters. This book is not like that though. Even though book one improved at it’s very, very end, the whole final sequence was heart-wrenching and one of the most depressing endings I’ve ever read. In the Magician King, I’m reminded of this again. I don’t want to give anything away, but Quentin’s fate is almost unforgiveable. That one line that Elaine gives just made my heart sink, since I knew it wouldn’t end well after that.

There are also other dark elements involved, especially in Julia’s story. She was never accepted to magic school so she pursued magic however she could and sacrificed almost everything dear to her to get it. And how did that end up? For a long time it was horrifying for her. There’s this one scene which I shan’t repeat and which I don’t even like to think about which disgusted and depressed me so much. But at the same time I couldn’t stop reading. It’s was gripping and, though it pains me to say, realistic.

On a personal level, I struggle to read Grossman’s book. I get headaches from trying to process so much and some of the events genuinely affect me and my view of life for a short. I’ll be depressed, or feel lost, if only for a few hours. That could just be me (!!!) but I credit some of it to these books and these stories that seem to affect me so much. Sometimes I was just reading in a daze.

This book is something else, in a good and bad way. It’s bad in that I sometimes just want to walk away from this book and turn my back on some detestable truths, but then it is just so good at the same time that I can’t even begin to explain. This whole review is my trying to just give you a glimpse of how I feel about these books because in all honesty it’s so mixed up and indecipherable even for me. So read these if you want something magnificently compelling, but don’t say I didn’t warn you.

A Storm of Swords by George R. R. Martin

Part 2

4

The continuation of the Song of Fire and Ice reaches a kind of close. This is the end of the first half of the story, and as such shows a lot more finality than previous parts and, in general, feels like a more typical fantasy book for this conclusiveness.

I've decided that I might do this review a little differently. I've reviewed the first two books here and here (plus an intermittent half-way in this book here) and in general I feel much the same about most of what is happening. So I thought it might be more apt and easier if I list my likes and dislikes of this series, and end with a comment on anything new in this book. It saves me trying to make the same point a third time, but trying to put a different spin on it.

Likes

• Plot- Say what you will about Martin, he weaves a fantastic story. He doesn't really have any sympathy for his characters and verges on cold about he is more than willing to put them in dire straits and make the outcome unlikely every single time. I've mentioned a few times how one does not simply 'expect' with George R. R. Martin (that's an accidental meme/LOTR reference) and it makes for much more gripping story and also a much more difficult one as a reader. You are telepathically begging him to spare your favourite characters. The nicest you can expect it some kind of hideous wound or thrown into an inescapable circumstance, and you'll take that in your despair.
• Characters- Another typical story trope, but again excellently done. He crafts really well rounded characters, though in general I feel the Starks are all a bit too heroic sometimes, and Brienne too idealistic. But people like Jaime, Tyrion and Daenerys are effectively evil- or at least associated intimately with an evil faction- yet we learn about them as individuals and grow to like them. Those three are probably some of my favourites. Take Jaime: he's an oath-breaker and unbearably arrogant and rude, but he's more loyal than most and has a powerful sense of gratitude, familial love and duty.
• Magic- His attitude to magic is refreshing in a fantasy book, and that's a lot coming from me. I usually like magic and lots of it, but here I enjoy how fleeting and mysterious it is rather than something which makes the users superior to their peers.

Part 1

Dislikes

• Misogyny- Though I think Martin isn't a misogynist, the world he sets his books in is medieval. As such, women were expected to look pretty, get married then make babies until they died. They are completely and unrelentingly objectified by the men in the books. In general, the female POVs in the books are shown to be neither powerless nor accepting of this so it isn't all encompassing, but the nature of some of what happens is sickening.
• Cursing- I'm not the kind of person who uses profanities or approves of them if used in excess, but, for whatever reason, the characters insist on using words I refuse to utter even in my own company. As such, Martin tests my patience sometimes with the male characters in the story who use two four letter words beginning with 'C' as often as they breathe and use others with other select changes in the weather.
• Wanton Brutality- That's a phrase I used in another review which sums it up nicely. Be it violence, torture, rape or worse, GRRM does not pull punches. In fact, he packs them with iron and heats them such that they brand, even scar you. Seriously, sometimes I've felt physically sick reading some descriptions in these books.
• Death- As I mentioned above, no one escapes the bloody pen of GRRM and he will happily kill, maim or otherwise make characters lives a misery in the course of his books. This is something I also appreciate since it makes the stories gripping, and better than some other novels I've read; but at the same time I wish it was a bit less desolate and hopeless sometimes.

In this book, there are two new things: Finality and Viewpoints. We're given some new people to see through the eyes of- purely because the little conflict in book one has escalated to a national schism and there are all sorts of inner problems of each of the factions. It's like that St. Ives riddle where the numbers just keep growing as algebraic powers until the number is larger that we imagine. I digress, because it is not that bad, the point I was making is that we get a viewpoint in basically every story there is to tell.

The finality, which I mentioned at the beginning, is also bizarre. GRRM tends to leave people mid-story and move on and its disconcerting to leave these books for too long. So much is going on all the time, and keeping it straight require you to be reading the novels in succession. The ending of this book felt more conclusive, because A Feast For Crows is a catalyst novel connecting this book to A Dance With Dragons. The idea was to give characters time to grow up so that the story could move on to where he wants it to be. I'll say this though: I have no idea where that is.

The novel is the usual stock for Martin, in my opinion, so take that as you will.

A Clash of Kings by George R. R. Martin

Possible spoilers for book one but not this book, but they will be highlighted such that one can avoid them!

4
This book two in Martin's A Song of Ice and Fire series and is an extremely long read (though I hear A Dance With Dragons is longer still). It is continuation of every and all events from book one and is just as hard-hitting and, in some ways, wonderfully deplorable. In my opinion, it is the better of the two since I was much more interested in events than in book one.

The plot in this series, for anyone who hasn't read the books, is a sprawling mess of utter chaos. The best analogy is to imagine a plate of spaghetti, and each string of spaghetti is a plot line and reading it is like trying to find the other end of the spaghetti WITHOUT yanking it out. It is utter madness sometimes. You seem to have your main plot and about 4 other sub-plots, per viewpoint. And then there are around 6 view points. So you have a grand total of around 30 plots which you have to try, in vain to keep straight. Early on in the book, it's even worse. I commend Martin for not just tying off the old plots and moving on, but the start of the book holds onto about half of the plots for about a third of the book, but still insists on bringing in more. What I'm saying is that these are highly confusing books a lot of the time, and sometimes you'd be reading something and only realise about 3 pages in which plot it pertains to.

This same issue is with the characters, though it is less pronounced. The back of the book lists every major and minor character of the major factions on the book, and I seriously believe that every one of them is important in some way. Finishing the book, I astounded myself with how many characters I managed to keep straight in my head. Admittedly, I just had to keep reading blind sometimes and hope this character wasn't too important.

It's a credit to Martin, I have to say, that despite being occasionally muddled I managed to know what was going on. How I think he does it is by defining everything with certain events of names. Practically all the characters have a defining a feature- some are "the Knight of X", they may be named "The [noun]" or they were involved in some conquest- and they will be the only ones associated with this. It's fantastically done when I think about it.

Anyway, down to specifics.

Once again, one of the things is disliked was the wanton brutality of the books, and the banalisation of rape and prostitution. I read some response Martin gave on these fronts (I'm not the only one who is disturbed by it) and he defends it by saying that it is historical and medieval England was like this. He doesn't like it any more than we do, but he has to right a realistic, truthful story. If that means it must be gritty and disturbing, so be it. I can accept that since he's right to be honest in his story, but I'm retaining the right to dislike it. It is too often brought up, in my opinion, and hate that the men are often so flippant about it. It doesn't usually detract from the story, but I think that if anyone has particular sensibilities or particular revulsion to these things, stop while you're ahead; since I expect it to get worse as the book continues and fighting grows. I wonder if I would have ever opted to read these books had I known they were so....so like this.

**** SPOILERS FOR BOOK ONE IN NEXT PARAGRAPHS UNTIL I SAY OTHERWISE!!! ****

I actually got more invested in various stories this time around. Last time, stories such as Jon Snow's, Sansa's or Arya's were just not at all interesting. However, at the end of book one, Arya has fled the castle, Sansa dislikes Joffrey (and, forgive me, has finally gotten some sense) while Jon has learnt that the Night's Watch are to go beyond the wall. In book one, I could read Jon's chapters easily enough for the same reasons I could read Catelyn's and Bran's: because despite not being terribly interesting, they were written and I liked the voice's. Also, they both had points were they were actually interesting. With Jon, I felt his story had so much potential to be interesting, but it just wasn't. I understand they had to train, set up loyalties and what not but there was wasted opportunity, in my opinion. There was always the feeling of a growing threat and it infuriated me that it was never realised story-wise.

Tyrion and Daenerys are both just as good though, if not better. Tyrion is whimsical and despite being a Lannister, I'm actually going to accuse him of having a great deal of sense and even a few morals. In some ways, he often strikes me as the most human of the characters and even though he has his weaknesses and short-comings (no pun intended), he is probably the only Lannister I would want to be King. I think he has the good sense to look past his own life and desires and do what is right for the kingdom as a whole.

Daenerys disappointed me a little since very little happened in her story besides a lot of wandering around, hopeless, and sitting about dreaming about her future. I think she had fewer chapters than last time as well so we didn't see her as much. But the dragons....man, do I love them! I squirm with happiness whenever they do anything and, at one point, it says how she was reclining in cushions with her dragons around her. Bliss, utter bliss.

There are two new views as well: Ser Davos, a Knight of Stannis, and Theon Greyjoy. Davos had a nice voice, and I did like him, but I was more interested in him because Melisandre and the magic (?) she suggested she had.  Theon is more interesting, but only because I hate him from the bottom of my heart. I feel sorry for him since he feels abandoned by his own family, but does he need to be such a debased and detestable individual? He has no value for women or anyone less than himself. In so many ways, he is just like a Lannister in his overwhelming idea of self worth and importance. And the things he does- the way he is- just disgusts me. The bit with Bran and Rickon...I just had to stop reading for a short while. I felt my heart stop; I stopped breathing in shock. I was just blown away at how much I could hate a character.

**** SPOILERS OVER ****


Overall, I was impressed with this book. If you read book one and were a bit dubious, I think this book will set your mind at ease that this is likely to be an enjoyable series and that you should definitely keep reading. I only warn you to expect to be reading this for a while; my copy was around 900 pages.

Dark Lady's Chosen by Gail Z. Martin

Though there are no spoilers for this book, this book contains spoilers from books one, two and three. You have been warned!!! (It's also early on in the review.)


4
The next book in this (seeming interminable) series is the continuation and arguable conclusion of what occurred in book 3, Dark Haven. We see the end of the plot to kill Kiara, the result of the War with Curane, the fate of Cam of Cairnrach as well as the fate of Dark Haven itself- an ending wound up with the lives of Jonmarc and Carina.

This a well structured book, in my opinion. It seemed that Martin had accepted that, by the end of Dark Haven, everything was coming to its end; for better or for worse. So the majority of the book actually only takes place over 5 days, and the chapters in those days are split between the multiple story lines. I get that some people would rather dislike this (arguable) mess, but it worked for the book. On her site, she says this book was about the aftermath of events that are the settling down of chaos and order into some sort of balance: something I'm going to venture in saying is represented through the written style. It is a bit hectic and indiscernible at times, but there is a clear order and structure that is adhered to.

All the plots seem to figure themselves out in the expected manner: people survive, at a cost or they survive only to find a greater challenge. I don't think anyone would be blown away by the outcome of events since you you've probably been expecting it and though you're obviously happy with the result, you won't be overflowing with excitement after having read it. On the other hand though, you'll never be inconsolable. So if you want a book which isn't going to stress you out to much as a reader, but you can still enjoy reading, this is an excellent choice.

Getting more into specifics...

I felt that Kiara's plot and storyline got slowly more repetitive as time went on. She'd make the mistake of feeling safe or powerful, and then a threat would rear its ugly head. She would survive it, but it underlines the precariousness of her position as well as risking something concerning her unborn child. I am being somewhat cynical, but it has to be said that for an interesting character who could have a had a much more interesting story (in my opinion) it was annoying that it descended into repeating itself. The most interesting bit was the end of her plot. I'm not saying that it was great because it was over (though that lingers at the back of my mind) but because the possible repercussions are interesting. I believe her child will be a mage and that the excess of wormroot (a magic inhibiting drug) in her system from the dart will give the baby an unusual tolerance for it.

I'm of the same sort of opinion of Cam's story too. I feel like his was only used to remind us of the divisionists and the widespread chaos in the kingdoms; otherwise it wasn't too important.

Tris' story was when he was still at war with Curane. His story was also a tad dull, but the ever-looming battle and the mystery surrounding what to do and what new horrors would be encountered kept be reading quickly through these pages. Give whatever meaning to it what you will, I really enjoy reading about battles that involve magic and average soldiers. Part of it is my inbuilt love of magic, but I think I just like the idea of combat magic since it is the most instinctive side of magic and can have interesting consequences. What I disliked about this portion was that Tris seemed to be constantly at the edge of his power, but still managing to hold on. His comments on his growing fatigue and loss of power got a bit dull.

For me though, the Dark Haven story of Jonmarc and Carina was much more interesting. I think that might have been because it was the one story that wasn't so clear cut. The others ones needed their players to survive in order to continue. This story only needed one and, in Carina's case, that one didn't need to come about completely unscathed. If I look back on their story now, the same cynicism takes over that they were hardly the most interesting and that the story was hardly unique. There were conflicts with the revolting (as in revolution) Vampires and Jonmarc's fear of loosing Carina. Carina had her own problems in trying to avoid the taint of Vampirism that warred with her healing magic for dominance. I guess their story was also interesting because it was a chance to learn more about the flow: the river of magical energy in these lands.

So I was impressed with this book. Maybe Dark Haven was a book to set up this one which, in so many ways, was much better. It's actually the end of the Chronicle's of the Necromancer Series, since the following books are a separate series which (I suspect) have a more active focus on Jonmarc. Though maybe it instead focuses on the children of the people on these books: the series being the symbol for the next generation.

Also, bonus points if anyone know who is on the front of this book. Is it Carina???

Friday Hop Seize

Q: Define what characteristics your favorite books share. Do they all have a kick ass heroine or is the hot love interest the Alpha Male?

I like books with at least a hint of the fantastical and slightly unbelievable. I do like, as the question asks, a kiss-ass heroine too! It's no fun reading about a meak one slowly struggling through life; someone with attitude, perserverance and willpower is much more interesting for readers. I tend to also like my romance to be slow- and I prefer watching a long period of falling in love then seeing the struggles they face after it. Falling in love is many time more engaging, for me, and the moment of realisation gives me a warm tingle up my spine.

Most books I like also seem to be reasonably long. Something about dedicating a lot of time to a book, and being able to be completely drawn in, are some important qualities. Other little things I like are: a whimsical side character who is humorous, clever and mysterious; the gruff 'teacher' role who helps the protagonist (this is kind of high fantasy exclusive, I think); and I like the main characters slowly learning to control and direct their abilities or skills towards another purpose (I thinking fantasy again here!).

Book Appeal: When you're browsing goodreads, the library, or another blogger's reviews, what grabs your attention to make you want to read it? 

Well, of course, the book cover is the best thing to grab my attention, followed quickly by the title of the book. I think the title is how the author or publisher has thought best to define a book; so it almost sums up the essence of that book in a short phrase or even just one word. For me the author isn't overly important- though I'm persuaded to try something if it is an author I know and like.

When it comes to goodreads or blogs, I also tend to look at the rating- and if it isn't a blogger I'm familiar with I'll scan their past review for books we've both read and see if I agree with what they say their. Goodreads has that handy comparison feature which I tend to utilise in this case. If I don't have much time, I'll also scan their introductory and final paragraph, since they tend to be more of a book overview than other more case-specific paragraphs.

Sometimes, reviewers also compare the books they read with other ones (such as when I've seen Legend compared with Divergent). This has been something that I've seen while going to leave the page, but has stopped me because I think if I liked one, maybe I'll like the other.

Magical March Challenge

A reading challenge, hosted by Adam from RoofBeamReader.net, is one that seems perfect for me. The aim is to read books that fall under any kind of fantasy label, be they Urban, Young Adult or Epic Fantasy; Science Fiction, so Dystopians or Steampunk are also good; as well as Magical Realism... which I'm not sure as to the meaning. These must be read throughout March. The rules, direct from the source, are:

1. You must register with the Mister Linky below prior to March 5^th in order to be eligible to participate.
2. You must read only “new” books – meaning, no re-reads are allowed.  Books for other challenges can be cross-used for this one, but you must read the book and review it in the month of March (previously completed books for other challenges do not qualify).
3. You must link up each book review to a separate Mister Linky, which will be available on March 5^th (once registrations close).
4. Challengers must post on their blog an “Announcement” post, indicating they are participating in this challenge and which level they hope to attain. One completer from each “Class” will be randomly selected to win the corresponding prize for that level. 
   1. You do not need to meet your level in order to win a prize.  If you aim for “Grand Merlin Class” but only achieve “Magician’s Class,” you will still be entered into the Magician’s Prize Pool!
   2. You do not need to list your books in advance, but I plan on doing so (to keep me motivated and to help me stay organized). 
5. Any Fantasy, Science Fiction, or Magical Realism books will qualify.  This means you can read Young Adult, Dystopian, Steampunk, or Alternative Histories.

There are levels of participation, based upon how much you think you'll read for the hop. They are:

Magician’s Class:               1-2 Books Read & Reviewed        1 Book $10 or Less

Sorcerer’s Class:                3-5 Books Read & Reviewed        1 Book $12 or Less

Wizard’s Class:                  6-7 Books Read & Reviewed         1 Book $15 or Less

Grand Merlin Class:            8+ Books Read & Reviewed          1+  Book(s) $20 or Less

I'd like love to go for the Grand Merlin class because I have more than 8 books that fall into those categories. Besides my classics, I think most of my to-read novels fall into that category. This is fantastic for me so I'm really going to try. But, I'm only going to aim for the Sorcerer's Class since it is the one I know I can achieve notwithstanding a sudden death. 

However, I'm going to try for Grand Merlin as much as possible!

I won't plan my books, since I won't enjoy them as much, but I'm hoping to read a few of my series (i.e. Lord of the Rings, Song of Ice and Fire and Chronicles of the Necromancer) and possibly get the Eleventh Plague (by Jeff Hirsch), Runemarks (by Joanne Harris) and The Girl of Fire and Thorns (by Rae Carson) in there between the others. 

Friday Hop Quatorze

Q: What’s the craziest thing you’ve ever done to get your hands on any particular book?

I live in a main city in England (Livepool) so I've always been close to bookstores and easy to access for people to deliver to me. I've never done anything really describable as crazy, but I have ordered books from foreign countries before- knowing I'd have to wait a month or more for it to arrive. Usually, if I want a book, nothing will stop me. I remember when I was first reading the Belgariad that I wanted the same style of cover for all five books (two of which I already owned) and I trawled the internet for almost two hours so I could get those covers. They were twice as expensive as the available copies on Amazon, but I liked the other covers too much.

I think that I am (geographically and economically) always in a position where it is very easy for me to get whatever book I want whenever I want it. I'm not averse to doing something a little zany for a book, but I've never been given the oppurtunity. I'll be sure to update this if I remember anything during the day.

Recommend It: Which book from the last 10 you've read would you recommend to a friend?

Anyone who has read or hopped by this blog probably knows how much of a fan of The Night Circus by Erin Morgenstern (my review) I am. So though I'm afraid of becoming a broken record, this is just so easily the book I'd recommend. It's a perfect mix of Fantasy and the falling in love element of romance (which I my preferred part of it). It was a well-written, immensely enjoyable hybrid of things I love in books.

Also, I don't have many real life friends who are great readers, let alone any who read fantasy. The one person I know who read fantasy, hates romance. So basically I need all you internet people to talk to me about this book and satisfy the craving I have to discuss this until my fingers fall off, blistered and bleeding.

If I was to say a book that couldn't be that, I'd have to say The Iron Maiden by Resa Nelson (my review), because I really, really liked it and, having not a read a high fantasy in while, I feel a craving for it. This was the last one I read so it's the one on my mind and the one my next fantasy will have to live up to!