A Storm of Swords by George R. R. Martin

Part 2

4

The continuation of the Song of Fire and Ice reaches a kind of close. This is the end of the first half of the story, and as such shows a lot more finality than previous parts and, in general, feels like a more typical fantasy book for this conclusiveness.

I've decided that I might do this review a little differently. I've reviewed the first two books here and here (plus an intermittent half-way in this book here) and in general I feel much the same about most of what is happening. So I thought it might be more apt and easier if I list my likes and dislikes of this series, and end with a comment on anything new in this book. It saves me trying to make the same point a third time, but trying to put a different spin on it.

Likes

• Plot- Say what you will about Martin, he weaves a fantastic story. He doesn't really have any sympathy for his characters and verges on cold about he is more than willing to put them in dire straits and make the outcome unlikely every single time. I've mentioned a few times how one does not simply 'expect' with George R. R. Martin (that's an accidental meme/LOTR reference) and it makes for much more gripping story and also a much more difficult one as a reader. You are telepathically begging him to spare your favourite characters. The nicest you can expect it some kind of hideous wound or thrown into an inescapable circumstance, and you'll take that in your despair.
• Characters- Another typical story trope, but again excellently done. He crafts really well rounded characters, though in general I feel the Starks are all a bit too heroic sometimes, and Brienne too idealistic. But people like Jaime, Tyrion and Daenerys are effectively evil- or at least associated intimately with an evil faction- yet we learn about them as individuals and grow to like them. Those three are probably some of my favourites. Take Jaime: he's an oath-breaker and unbearably arrogant and rude, but he's more loyal than most and has a powerful sense of gratitude, familial love and duty.
• Magic- His attitude to magic is refreshing in a fantasy book, and that's a lot coming from me. I usually like magic and lots of it, but here I enjoy how fleeting and mysterious it is rather than something which makes the users superior to their peers.

Part 1

Dislikes

• Misogyny- Though I think Martin isn't a misogynist, the world he sets his books in is medieval. As such, women were expected to look pretty, get married then make babies until they died. They are completely and unrelentingly objectified by the men in the books. In general, the female POVs in the books are shown to be neither powerless nor accepting of this so it isn't all encompassing, but the nature of some of what happens is sickening.
• Cursing- I'm not the kind of person who uses profanities or approves of them if used in excess, but, for whatever reason, the characters insist on using words I refuse to utter even in my own company. As such, Martin tests my patience sometimes with the male characters in the story who use two four letter words beginning with 'C' as often as they breathe and use others with other select changes in the weather.
• Wanton Brutality- That's a phrase I used in another review which sums it up nicely. Be it violence, torture, rape or worse, GRRM does not pull punches. In fact, he packs them with iron and heats them such that they brand, even scar you. Seriously, sometimes I've felt physically sick reading some descriptions in these books.
• Death- As I mentioned above, no one escapes the bloody pen of GRRM and he will happily kill, maim or otherwise make characters lives a misery in the course of his books. This is something I also appreciate since it makes the stories gripping, and better than some other novels I've read; but at the same time I wish it was a bit less desolate and hopeless sometimes.

In this book, there are two new things: Finality and Viewpoints. We're given some new people to see through the eyes of- purely because the little conflict in book one has escalated to a national schism and there are all sorts of inner problems of each of the factions. It's like that St. Ives riddle where the numbers just keep growing as algebraic powers until the number is larger that we imagine. I digress, because it is not that bad, the point I was making is that we get a viewpoint in basically every story there is to tell.

The finality, which I mentioned at the beginning, is also bizarre. GRRM tends to leave people mid-story and move on and its disconcerting to leave these books for too long. So much is going on all the time, and keeping it straight require you to be reading the novels in succession. The ending of this book felt more conclusive, because A Feast For Crows is a catalyst novel connecting this book to A Dance With Dragons. The idea was to give characters time to grow up so that the story could move on to where he wants it to be. I'll say this though: I have no idea where that is.

The novel is the usual stock for Martin, in my opinion, so take that as you will.

A Clash of Kings by George R. R. Martin

Possible spoilers for book one but not this book, but they will be highlighted such that one can avoid them!

4
This book two in Martin's A Song of Ice and Fire series and is an extremely long read (though I hear A Dance With Dragons is longer still). It is continuation of every and all events from book one and is just as hard-hitting and, in some ways, wonderfully deplorable. In my opinion, it is the better of the two since I was much more interested in events than in book one.

The plot in this series, for anyone who hasn't read the books, is a sprawling mess of utter chaos. The best analogy is to imagine a plate of spaghetti, and each string of spaghetti is a plot line and reading it is like trying to find the other end of the spaghetti WITHOUT yanking it out. It is utter madness sometimes. You seem to have your main plot and about 4 other sub-plots, per viewpoint. And then there are around 6 view points. So you have a grand total of around 30 plots which you have to try, in vain to keep straight. Early on in the book, it's even worse. I commend Martin for not just tying off the old plots and moving on, but the start of the book holds onto about half of the plots for about a third of the book, but still insists on bringing in more. What I'm saying is that these are highly confusing books a lot of the time, and sometimes you'd be reading something and only realise about 3 pages in which plot it pertains to.

This same issue is with the characters, though it is less pronounced. The back of the book lists every major and minor character of the major factions on the book, and I seriously believe that every one of them is important in some way. Finishing the book, I astounded myself with how many characters I managed to keep straight in my head. Admittedly, I just had to keep reading blind sometimes and hope this character wasn't too important.

It's a credit to Martin, I have to say, that despite being occasionally muddled I managed to know what was going on. How I think he does it is by defining everything with certain events of names. Practically all the characters have a defining a feature- some are "the Knight of X", they may be named "The [noun]" or they were involved in some conquest- and they will be the only ones associated with this. It's fantastically done when I think about it.

Anyway, down to specifics.

Once again, one of the things is disliked was the wanton brutality of the books, and the banalisation of rape and prostitution. I read some response Martin gave on these fronts (I'm not the only one who is disturbed by it) and he defends it by saying that it is historical and medieval England was like this. He doesn't like it any more than we do, but he has to right a realistic, truthful story. If that means it must be gritty and disturbing, so be it. I can accept that since he's right to be honest in his story, but I'm retaining the right to dislike it. It is too often brought up, in my opinion, and hate that the men are often so flippant about it. It doesn't usually detract from the story, but I think that if anyone has particular sensibilities or particular revulsion to these things, stop while you're ahead; since I expect it to get worse as the book continues and fighting grows. I wonder if I would have ever opted to read these books had I known they were so....so like this.

**** SPOILERS FOR BOOK ONE IN NEXT PARAGRAPHS UNTIL I SAY OTHERWISE!!! ****

I actually got more invested in various stories this time around. Last time, stories such as Jon Snow's, Sansa's or Arya's were just not at all interesting. However, at the end of book one, Arya has fled the castle, Sansa dislikes Joffrey (and, forgive me, has finally gotten some sense) while Jon has learnt that the Night's Watch are to go beyond the wall. In book one, I could read Jon's chapters easily enough for the same reasons I could read Catelyn's and Bran's: because despite not being terribly interesting, they were written and I liked the voice's. Also, they both had points were they were actually interesting. With Jon, I felt his story had so much potential to be interesting, but it just wasn't. I understand they had to train, set up loyalties and what not but there was wasted opportunity, in my opinion. There was always the feeling of a growing threat and it infuriated me that it was never realised story-wise.

Tyrion and Daenerys are both just as good though, if not better. Tyrion is whimsical and despite being a Lannister, I'm actually going to accuse him of having a great deal of sense and even a few morals. In some ways, he often strikes me as the most human of the characters and even though he has his weaknesses and short-comings (no pun intended), he is probably the only Lannister I would want to be King. I think he has the good sense to look past his own life and desires and do what is right for the kingdom as a whole.

Daenerys disappointed me a little since very little happened in her story besides a lot of wandering around, hopeless, and sitting about dreaming about her future. I think she had fewer chapters than last time as well so we didn't see her as much. But the dragons....man, do I love them! I squirm with happiness whenever they do anything and, at one point, it says how she was reclining in cushions with her dragons around her. Bliss, utter bliss.

There are two new views as well: Ser Davos, a Knight of Stannis, and Theon Greyjoy. Davos had a nice voice, and I did like him, but I was more interested in him because Melisandre and the magic (?) she suggested she had.  Theon is more interesting, but only because I hate him from the bottom of my heart. I feel sorry for him since he feels abandoned by his own family, but does he need to be such a debased and detestable individual? He has no value for women or anyone less than himself. In so many ways, he is just like a Lannister in his overwhelming idea of self worth and importance. And the things he does- the way he is- just disgusts me. The bit with Bran and Rickon...I just had to stop reading for a short while. I felt my heart stop; I stopped breathing in shock. I was just blown away at how much I could hate a character.

**** SPOILERS OVER ****


Overall, I was impressed with this book. If you read book one and were a bit dubious, I think this book will set your mind at ease that this is likely to be an enjoyable series and that you should definitely keep reading. I only warn you to expect to be reading this for a while; my copy was around 900 pages.

Doing Physical Research for Fantasy Novels- Resa Nelson Guest Post

For the release of her newest novel Iron Maiden (review) which is blurbed beneath, sequel to The Dragonslayer's Sword (review), Resa is doing a blog tour to show the different parts of contructing her story. You can find all the links here: http://www.resanelson.com

To the post- there's also a giveaway available and the oppurtunity for everyone to sample her work via an ebook with two short stories!

I began researching my 4-book Dragonslayer series by doing traditional library research, first to bolster my knowledge of medieval history and then to model the dragons in my novels on an animal that still lives today.  But I had one problem:  my main character is a woman who learns how to be a blacksmith.  How could I write convincingly about a female blacksmith unless I got some hands-on experience?

Fortunately, while I was in the early stages of my research, I went to a local science fiction convention and met up with several friends, most of whom are also writers.  When we went out to dinner, I told everyone about my plans to write a novel based on a dragonslayer short story I’d written and that had already been published in a magazine.  I told them what I wanted more than anything was to take a course in blacksmithing.  One of my friends piped up and said he knew someone who had taken a blacksmithing course and told me where I could sign up for one!  So I got the details, followed up immediately, and signed up for the first available course.

I felt intimidated because I’ve never been good with a hammer, but I pushed ahead.  After all, despite the fact that I’m a very mediocre athlete, I earned a degree in physical education.  (I wanted to be a baseball coach only to realize my heart’s true desire was to be a novelist, what I’d wanted since childhood – it’s a long story.)  As a phys ed student, I was usually one of the worst athletes.  Ironically, this prepared me extraordinarily well for doing physical research as a novelist.  I’m willing to try just about anything, and I’m not afraid to fail or look bad.  So when I walked into my first blacksmithing class and discovered I was the only woman – and that everyone else in the class looked to be at least twice my size – I didn’t mind.  My purpose was to learn and absorb so I could write a better novel.

My blacksmithing course lasted for 10 weeks.  It met every Tuesday night, and each class lasted 4 hours.  That means once a week I spent 4 hours standing at an anvil hammering iron or steel.  I’m a smidge under 5’2” while most of my male classmates looked to be 6’ or taller – and a lot beefier than me.  At the beginning of each class, our teacher would explain the project we’d be making that night.  He’d explain what type of item we’d be forging and show us how to do it.  Then we’d have the rest of the night to get the project done.  My classmates had no problem completing each class assignment, but I couldn’t do it.  By the end of the evening I’d be halfway through the process and end up with a useless lump of iron.

My disadvantage was that I simply didn’t have the same kind of upper body strength as my classmates.  So I had to figure out a way to compensate for that.  I asked my teacher and my classmates for advice.  Taking it, I tried three things.  First, taking my teacher’s advice, I searched all the available hammers to find the smallest and lightest one.  It had to feel good in my hand.  (It’s common for blacksmiths to make their own tools in order to have tools that are exactly right for them.)  Next, taking a classmate’s advice, I choked up on the hammer the same way you choke up on a baseball bat.  That gave me more control over every blow.  Finally, I followed my own instincts and decided to become ambidextrous.  I’d hammer as long as I could with my left hand.  When I grew tired, I’d switch the hammer to my right hand.  I kept switching back and forth all night long.  At first it was hard to hammer with my non-dominant hand – I’d often miss the iron I was trying to hammer and sometimes missed the anvil entirely!  But I had almost no experience with a hammer before I took the blacksmithing course, so it only took a couple of classes before I hammered equally well with each hand.  And suddenly I was keeping up with my classmates and finishing my projects by the end of each class!  

The entire experience gave me a wealth of knowledge that helped me write my Dragonslayer series and shaped my main character in very specific ways.  It even had a profound influence on my thematic intent for the first novel and ultimately the entire series.  This experience sold me on the importance of doing physical research whenever it makes sense and whenever it’s possible. 

During this blog tour I’m telling lots of stories about the research I’ve done for my Dragonslayer series.  You can find out where I’ve been and where I’m going next by checking my website (http://www.resanelson.com), my Facebook page (Resa Nelson & The Dragonslayer’s Sword), or following me on Twitter (@ResaNelson).

If you’d like to sample my work for free, you can download a free “mini” ebook called “Dragonslayer Stories” from my website at http://www.resanelson.com/files.  No cost, no obligation, nothing to sign up for, no information gathering.  I like giving away samples of my work so you can decide for yourself whether you like it or not.  If you do, you can enter to win a copy of the first two books in my series, which I’ll give away at the end of this tour on Feb. 14.  To enter, just send email to ResaBonusGifts@aol.com.  (I won’t keep your email address – this just makes it easier for me to keep track of entries.)  I’m also doing a book giveaway on GoodReads, so you can enter to win there at http://www.goodreads.com/giveaway/show/19270-the-dragonslayer-s-sword.

The Author

Resa Nelson has been selling fiction professionally since 1988. She is a longtime member of SFWA (Science Fiction and Fantasy Writers of America) and is a graduate of the Clarion SF Workshop.

Resa was also the TV/Movie Columnist for Realms of Fantasy magazine for 13 years and was a contributor to SCI FI magazine. She has sold over 200 articles to magazines in the United States and the United Kingdom.

Her first novel, The Dragonslayer’s Sword, was nominated for the Nebula Award, the highest honor in science fiction and fantasy. It was also a Finalist for the EPPIE Award. This medieval fantasy novel is based on a short story first published in the premiere issue of Science Fiction Age magazine and ranked 2nd in that magazine's first Readers Top Ten Poll. The Dragonslayer's Sword is Book 1 in a 4-book series. Book 2, The Iron Maiden, was recently published. Book 3 is scheduled for publication in Summer 2012.

Resa's standalone novel, Our Lady of the Absolute, is a fantasy/mystery/thriller about a modern-day society based on ancient Egypt. Midwest Book Review gave this book a 5-star review, calling it "a riveting fantasy, very highly recommended."

In real life, Resa is a fan of chocolate, travel, summer, museums, ballet, movies, and Broadway musicals (her favorites are Les Miserables and Wicked).  She lives in Massachusetts.

 The Books

The Dragonslayer's Sword

For Astrid, a blacksmith who makes swords for dragonslayers, the emergence of a strange gemstone from her body sets in motion a chain of events that threaten to destroy her life. Her happiness is shattered when her lover--the dragonslayer--disappears without a trace, and the life that she knows and loves implodes without warning.

Astrid lives in a world of shapeshifters whose thoughts have the power to change not only themselves but others. Everything Astrid knows to be true is called into question when she learns the truth about her past and the mysterious family from which she was separated as a child.

Reality turns inside out as Astrid gradually learns the truth about the people she loves as well as those she disdains. With the fate of dragons, ghosts, and slaves in foreign lands resting on her shoulders, Astrid faces the challenge of deciding who she is and how she will stand up inside her own skin. Will she withdraw and hide from the world that has disappointed her so much...or will she rise to lead others to freedom and peace?

The Iron Maiden

Astrid is reluctant to travel the winter route beyond the Northlands, even though it’s her duty. She’d rather stay home in her village, surrounded by friends and neighbors. Ignoring the bonds of tradition, she decides to spend the cold winter months in the warmth of her blacksmithing shop. Why should she leave the comfort of her cottage to serve and protect foreigners who might raid and harm her native Northlands?

Everything changes when a traveling merchant steals Starlight, the first dragonslayer’s sword Astrid forged and her last link to her sweetheart DiStephan. Having no time to alert her friends, Astrid races in pursuit of the merchant, determined to reclaim Starlight as her own and return home in time for dinner. Instead, her quest leads her to new lands, unexpected friendships with foreigners, and a harrowing encounter with the damage done by the followers of a new god that considers women as nothing more than servants to men. All the while, she must be ready to face any dragon traveling the winter route.

In Book 2 of the Dragonslayer series, Astrid must learn that deciding who she is isn’t a decision she can make just once. It’s a decision she must make every day.

Ebooks ($4.99 each) are available directly from Mundania Press at:  http://mundania.com/author.php?author=Resa+Nelson (get a 10% discount at checkout with the coupon code MP10)

Paperbacks are available from Mundania Press, Amazon, and Barnes&Noble:

http://mundania.com/author.php?author=Resa+Nelson (get a 10% discount at checkout with the coupon code MP10)

Some Other Links:

Amazon

Barnes and Noble