4
Following the
events of the magicians, Quentin Coldwater is now one of the Kings of Fillory.
It’s something he never dared to dream he’d have…but he’s still not happy. He’s
restless. In trying to find occupation in adventure, Quentin stumbles upon
something much more cosmically important leading to revelations and undesirable
outcomes.
Though this
is a sequel to The Magicians, this book doesn’t really feel that way to me.
There are some references to Alice and Brakebills (the magic school) days, but
they are almost pointless in the grand scheme of things. If you haven’t read
the Magicians, it won’t be a problem in terms of understanding the story. I
mean, if the names had been changed this could have easily been a separate
stand-alone novel. For me, this wasn’t the best choice since what I like about
sequels is those nods to the first book or when something in book one directly
affects book two. For me these weren’t really there, and though I can
appreciate the book it doesn’t feel like too much of a sequel to me personally.
The magic
aspect was also elusive. The world was fantastical and there were other times
when the magic of landscape was obvious, but other times it felt like the book
had forgotten it was a fantasy book and things like magic were forgotten. Book
one was a bit like this, but not to the extreme of the Magician King. There is
only really one bit that this seems to go away, when Quentin is blasting magic
left, right and centre.
But this
highlights the crafting that has gone into the book. One thing Quentin says is
that he doesn’t feel like a king, let alone a magician, most of the time. By
the lack of magic and these things, we really feel this too. And it annoyed me,
even enraged me, which only meant I could understand Quentin better.
This was the
same for the general idea of Fillory and “real-life magic”. Quentin reminds us
every few chapters that magic in books is often good and there is always a
happy ending. Even the sadder endings are not so harsh on the characters. This
book is not like that though. Even though book one improved at it’s very, very
end, the whole final sequence was heart-wrenching and one of the most
depressing endings I’ve ever read. In the Magician King, I’m reminded of this
again. I don’t want to give anything away, but Quentin’s fate is almost
unforgiveable. That one line that Elaine gives just made my heart sink, since I
knew it wouldn’t end well after that.
There are also
other dark elements involved, especially in Julia’s story. She was never
accepted to magic school so she pursued magic however she could and sacrificed
almost everything dear to her to get it. And how did that end up? For a long
time it was horrifying for her. There’s this one scene which I shan’t repeat
and which I don’t even like to think about which disgusted and depressed me so much.
But at the same time I couldn’t stop reading. It’s was gripping and, though it
pains me to say, realistic.
On a
personal level, I struggle to read Grossman’s book. I get headaches from trying
to process so much and some of the events genuinely affect me and my view of
life for a short. I’ll be depressed, or feel lost, if only for a few hours.
That could just be me (!!!) but I credit some of it to these books and these
stories that seem to affect me so much. Sometimes I was just reading in a daze.
This book is
something else, in a good and bad way. It’s bad in that I sometimes just want
to walk away from this book and turn my back on some detestable truths, but
then it is just so good at the same time that I can’t even begin to explain.
This whole review is my trying to just give you a glimpse of how I feel about
these books because in all honesty it’s so mixed up and indecipherable even for
me. So read these if you want something magnificently compelling, but don’t say
I didn’t warn you.
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