Showing posts with label Love. Show all posts
Showing posts with label Love. Show all posts

Thursday, 13 December 2012

Rise of Nine by Pittacus Lore


5

(Read September)

(Avoiding my usual pre-empt to these books…)this is the continuation of much loved (by me) series that follows aliens-that-look-like-humans-but-with-superpowers as they start on the next stage in their journey and find the next teenager in their entourage. These are never going to be the most well-written or deep of books, but it grabs that 5 rating through sheer thrill factor.

The story, as a quick reminder, follows John Smith who set out from Paradise, Ohio, to save earth and his own planet, Lorien. It turns out that he’s an alien, and to boot he has supernatural abilities. And the antagonist- Mogadorians! Aliens hell-bent on destruction and razing planets. Though I could bore you with details of their exploits up to now, the most important thing to know is that it’s basically like a Sci-Fi action movie. The main characters move from spot to spot and in between the kind of battles that makes an nerd (or person who’s ever dreamed of having special powers) drool in contentment, they manage to squeeze on romance, vulnerability and deep-set personal issues.

Don’t take my sarcasm to heart, because I genuinely like these books. I can’t really equate them to anything else (except perhaps the original animated Avatar with Aang), but they manage to tell what is an Sci-Fi action driven story without it becoming too much. Yeah, the romance is a bit rushed and silly, and okay, the personal issues tend to be your run-of-the-mill teenage angst, but if you like these books and you read them, you’re doing it because it lets you inhabit this world where such things are possible.

In terms of the story itself, without giving anything away, I’d say this does better in that regard than the other books. There’s a clearer goal (SPOILER FOR BOOK 2 ALERT!) in how they want to rescue Sam, they want to find the others, and want to figure out a way to actually prevail over the Mogadorians. There’s also some foreshadowing which, though overplayed, made me squirm with pleasure with the thought of what it meant in a future instalment.

The only part I had somewhat of a problem with was the ending. It seemed a bit overly rushed and unexplained. You might say to me “It’s a cliff-hanger, Alex!” but there’s a difference between leaving some things unsaid and telling me absolutely nothing about what has just happened. I'm being a bit judgemental, but given how much I enjoyed the rest of the book, I think that balances it out.

I’ll say thank you to Karen of For What It’s Worth here too! This was the final instalment of a prize I won almost a year ago! She knows how much I appreciated it, but thank you again!

Wednesday, 15 August 2012

Persuasion by Jane Austen

Part of the Austen in August event hosted by Roofbeamreader.net. (Master post link.)

4
Persuasion follows Anne Elliot, the second daughter of conceited baron, and the less beautiful daughter. It follows her life in the usual Austen style of dealing with her family as a socially over-concious body and her own personal life, with the usual period emphasis on her getting married or at least finding potential suitors.

Despite that rather vague and perhaps dull little analogy, I adored this book. For me, it was so very much like Pride and Prejudice in terms of Anne and Elizabeth being similar and the story itself even sharing some similarities. Now these comparisons are very general and it is definitely not the same story, but as a general feeling for the book, it is so much like Austen's most famous novel that I think any fans of that book could feel safe to pick up this one and enjoy it.

In contrast to Pride and Prejudice, Persuasion is probably darker. It isn't really a dark book, but some parts suggest a more cultured character who sees the poverty and suffering around her- at least more than I remember Elizabeth doing- and someone who is more directly affected by evil times and nefarious people.

It's a little predictable at times. Perhaps it's a familiarity with Austen's novels, or perhaps it was me comparing it to Pride and Prejudice, but whatever it happened to be, it made the book less of a surprise but nonetheless enjoyable. Frankly, I read Austen's books because I love how she writes and how she can so aptly draw me into a story which on the outside would, to me, perhaps seem superficial and not work minutes, let alone hours, of my time. But Austen succeeds in crafting masterpieces that I love reading.

And more so than the other books I've read, I think one can see the influence and reason for the title of this book. Persuasion is a central feature in this book from early on and it is through persuasion, coercion, subtlety and even deception that the main characters work and the consequence of these actions have a number of reprecussions throughout the entire book.

Another interesting theme in the book is that of the Navy. They feature as the primary source of love interests for the characters, and the scorn of those characters Austen designates as distasteful, but not antagonists. Reading up on it, it transpires that Austen's brothers were of the Navy themselves and so it for that reason that she included and made such an exploration of them here.

Despite my perhaps rambly yet short review, I do believe that this is a quite excellent Austen novel and is one that anyone who start with Pride and Prejudice should definitely check out! (At least for the sake of discussing with me, since I could be under a self-imposed illusion!)


Thursday, 21 June 2012

Anna Dressed in Blood by Kendare Blake

4
(You have probably heard what the story is since this novel did its rounds on blogs ages ago, but in case you didn't...) This book follows Cas Lowood who, like his father before him, is a killer of the dead- ghost or otherwise. In addition to this he has to contend with being a teenager and trying to make a somewhat normal life for himself. When he and his mother come to the town of Thunder Bay, his usual method of killing the dead is disrupted by something he never expected.

I have to say I was highly wary about approaching this book. By the time it had my interest, the hype had been so built up and so great that I doubted it would live up to my expectations. I spent some time convincing myself that it wouldn't reach this hype because (a) it's not what I would consider my kind of book and (b) the hype was way, way too high.

Yet I do think this is a fantastic book and is truly gripping. Some of the elements of horror didn't really feel scary for me (and I'm really jumpy) so this may bug some people, but I don't think it is meant as a scary book. And anyway, it wasn't important. And the single thing that made this book so awe-inspiringly awesome was Anna herself. I think she is probably one of my favourite characters ever.

On one hand, she appeals to my urban fantasy side. I don't think I'm giving anything away by saying she is an insanely powerful individual, which I just loved when reading about it. So many romances seem to like making romance interesting or edgy by giving one of the participants a dark mysterious past, or by simply telling us how the protagonist feels threatened. Now, Blake does all this BUT she before doing us she shows us without a shadow of a doubt why exactly you don't mess with Anna and how she is the genuine article of bad-assery.

And then on the other hand, she's simply a great character. Her back-story is so, so sad and soul destroying that despite the horror surrounding her, you can sort of understand her. And then when the whole "Goddess of Death" thing starts to come into perspective, you can begin to understand her as the shy, adorable individual she is.

Don't get me wrong, Cas is great and the story about the Dad and how everything ties in is gripping and makes for great reading, but I doubt I would have loved this book as much if not for Anna. I actually thought the story itself was predictable and I guessed what would happen when the cat growls near the start.

One thing I thought might have perhaps been better if it had been looked at a bit more was the whole disjointedness of the romance. It was never going to be like Lia Habel's Dearly, Departed; but I do believe more should have been made of it. The limit of consideration was "This is weird, but it doesn't matter because love surpasses all."

So overall fantastic. You should read this just to see Anna in action.

Thursday, 8 December 2011

The Night Circus by Erin Morgenstern

The Night Circus5
A highly engaging and slightly confusing book that follows a circus in which two magicians are involved in a competition neither really understands. This has to be one of my favourite books this year. It's been a while since I've read a new fantasy book (part of a series or otherwise) that has kicked in my obsessive-reader streak. I just could not pull myself away.

First off, the circus is amazing. I've only been to a few circuses in my life, but they don't even compare to the Le Cirque des Rêves (Circus of Dreams) and I wonder if I've ever enjoy a circus after being transported to this one. Reading about it is immersive in a way I can't describe. I could smell the caramel, see every performance and every performer, feel the energy of the crowd. I can't remember being so transported by a book, and for that alone I would give it five stars. Interspersed with the actual plot, we are told about the experiences in various tents and the things we see. It helps to break from the plot and make the character transitions seem smoother.

But then we have the actual story. As I said, it two magicians in a kind-of contest (all is revealed later on in the book) and the circus is the venue for this. So everything in the circus is the spawn of their imagination, their dreams. Every tent, in its own way, implies something about the maker, hints at the plot and present feelings. I'm reading into it, I admit, but it seems all so cleverly interwoven, much like the circus itself.

Yet I think the characters are what make it interesting. We have our magicians, Marco and Celia. They are designed to opposites (that's why they were chosen as the competitors) so they match, even compliment, each other perfectly. It means we get two distinct voices and views, and two ways of seeing the same world. And their magic is wrought in different ways. Hers physical, his with charms and symbols; he is more considering, she more impulsive. It amazing. We also have Bailey, who story we jump into, as well as characters like Mr. Barris, Poppet and Widget, Tsukiko, Chandress, Prospero (Hector), Mr. Alexander, The Burgess Sisters, Friedrick Thiessen, Isobel and others I've likely forgotten. They make the book amazing, and each one is distinct in my mind and has their own story. I can't express how pleasant it is to read so many connected characters but not once become confused.

The Circus itself becomes almost a character too. Almost. I'm always aware it's a circus, but it has personality and is so well loved and talked about as though alive that one cannot help but consider it a character also.

Their is also romance in the book. It becomes integral, but the book does not become a complete romance, which I appreciated. It was fantasy and stuck to that like glue to paper. Certain events pre-empted this, and I think anyone could have guessed this would happen a quarter of the way into the book when Marco first sees Celia. And guess what? No love triangles! Huzzah! (You could argue otherwise, but I disagree. I never believed that romance.) It was much more interesting to see them interacting with each other and facing problems in their own relationship.

It's also set in the late 1800s, early 1900s. On one hand this was great for the lack of technology, the clothes, the atmosphere, and the people themselves. It's also handy since it meant it wasn't based at a time when there were huge events happening in history. There were events, but none so far reaching they could affect the story or have the characters being split. This story isn't about conflict, I feel. It seems odd since it's a competition, but I think it was more about working together than against each other.

I'm going to say something bad because I have to, but this didn't really bother me: I found some of the explanations hard to follow. Sometimes they were just concerning magic and its mechanics, but I expected to understand more than I did. I had to just move past it, but I didn't expect to understand. Part of the magic (pardon the pun) of this book was that we didn't know everything. The mystery was alluring, and the discovery sweeter for it; regardless of the comprehension. That's why I wasn't bothered by the mystery around the contest. This books hinges on not knowing anything, and we are made to get used to this idea very early on.

The novel is a treasure of a book and of a story. Never would I dare part with it. And it's wondrous element is well suited to the Christmas season. Buy this for yourself for Christmas. By it for anyone who loves fantasy, or someone who's faith in romance in a book is fading. My adoration for this book cannot be put into words; I am a rêveur through-and-through. Buy it, love it, but don't thank me.

I think this has earned the highly acclaimed spot as My Favourite Book of the Year.


After publishing/writing this, I've found a site for people interested in the books to kind of experience and live the books again. It's okay, but slow-going; many people would hate it. Link.

Saturday, 3 December 2011

Friday Hop Huit

Q: What is your biggest pet peeve when it comes to books? Maybe you don’t like love triangles or thin plots? Tell us about it!

I'm not overly keen on love triangles because though I think it isn't impossible to love two people and figure out which you like more, I don't imagine them coming in such a short time of one another.

No, but my biggest peeve is the romance found in many books. Not that I dislike romance, but reading about falling in love for me is more important than the problems after love. I dislike that modern romances focus on people having problems in love. It's really, but also depressing. I want to see them fall in love so I know why they love each other. Which brings me on to the peeve: Love at First Sight. Every time I read this, I am convinced, somewhere, a cute animals breathes its last breath. I like the idea of love at first sight, but I don't want to hear about it. Everyone worldwide in a good relationship will tell you they went out with each other because they liked each other and that that grew over time.

It's a personal thing, I think, but I doubt (I actually know, from hopping around) I'm alone. When I fall hopelessly in love, it will be with someone I find engaging to be with and someone I cannot understand for the life of me. Also, people are clever in love. Even if I did fall in love upon meeting someone for the first time, I would get to know them before devoting myself and doing something stupid.

There is no end to the amount of (successful) films out there that reiterate this. People may be good looking, and have a good public personality, but you'll only ever love someone you truly know. And you have to know them before loving them, because love will blind you to there faults. What comes to mind for me is Shark Tale but that's just me.



Writing Reviews 101: What's your process for writing book reviews? 
Any tips or suggestions you would recommend to other bloggers?

Gah.

I'm still new and learning, so there are better posts out there. Seriously, go read them. Everyone on this hop that I read has said something better than I could. Still, I'll tell you what I do. And I beseech you to criticise me and help me learn or believe in my method more.

I write my review after finishing the book: either immediately or a day or two after. For me, it's nice to get an overall view, but specifics are going to tip the scales more in terms of buying. So if I wait, the things I think of should be the main points of interest for the book. I try to cover Characters, Plot, Why I bought and romance, but I just do that because I think they're always main issues. If the writing is good I'll also mention that. And I try (if I can) to focus on exactly how I responded to the book- if I felt any particular emotion while reading. Books are an emotive medium, and it helps to know how they'll make you respond. For example, if I'm depressed, I want a engaging, mostly happy book.

Also, it should be your review. When I first started writing my reviews, I found myself comparing how I wrote to other bloggers. Don't do that, ever. You'll sound much more honest and be much happier if you write how you want. As that saying goes: "It's better to be a first class version of yourself, than a second class version of someone else." It didn't say that word-for-word, but I hope you get the gist of the idea.

Happy hopping (and thanks for coming to the end of the hop since I left this so late!)