Showing posts with label Well-written. Show all posts
Showing posts with label Well-written. Show all posts

Thursday, 31 May 2012

Insurgent by Veronica Roth


5
Tris is back after the trauma she faced in Divergent. Since her youth in Abnegation, her life has turned upside down and the world seems to be following the same track. Yet it isn’t over, and as Tris comes to terms with her own demons, she has to deal with the next stage in the plot, leading to the unexpected.

I’m having the same problem many reviewers have with book. I want to sit here and talk your ear off about almost everything that happened in the novel, but in doing so I’d ruin the entire thing for you and anyone else. And then the double-sided blade scenario comes into play because I don’t want to spoil Divergent for you either: it is just as gripping and awesome.

So the best I can do is a bit of relativity of Insurgent in comparison to Divergent.

Anticipation
There was huge anticipation for this book and sometimes all that hype can ruin a book. It was somewhat similar with Divergent. Last time, for Divergent, I really got caught up in all that and frankly it lived up to that gargantuan expectation. The thing was, I tried to not get mixed up with the stuff prior to Insurgent for two reasons. One was purely personal, and if you follow me on twitter you probably have a general idea of that. The other was that I’ve been disappointed about hype a few times since I started blogging and the method I’m slowly developing is to not get involved in it and so I can’t be disappointed. The only reason I say all this is that I genuinely think this book deserved what hype I was exposed to and I genuinely think it was a great book.

Action
I think this book was about as action-packed as Divergent- they are dauntless after all! In some ways this was something I was expecting, since I rarely find myself so involved in fighting sequences in books. But these tended to draw me in, though they lacked some of the lustre of Divergent- but I think that was Tris’ influence. She loves her faction, but she’s still recovering psychologically and the almost manic loss-of-self in the action is less pronounced.

Characters
Four/Tobias was really great. In Divergent, my memory was that he went from International Man of Mystery to…well, Tobias. Without getting into it too much, it’s almost as though Four and Tobias are actually different people, which then links back to the Divergent things. Holy… I think pontificating actually rendered something vaguely sensible.
Tris got on my wick a little bit though. I don’t begrudge her being depressed, nor do I dislike the occasionally spontaneity of her, but I find part of me just wants to grab her and shake her. As Tobias puts it, she’s so frustrating. Not wrong, not hateable, she just makes me grind my teeth sometimes. I think the problem is that I can see, understand and even emphasise a bit with her, but I think she seems narrow-minded sometimes or inconsiderate of other things. It’s more of a niggle but meh.

Plot
I thought the plot was like a train journey before a huge crash. Strangely, this is a good thing. It started off fairly slowly, which made sense, and then when it got into the actually meat of the story it stayed fairly interesting. I think Divergent was more involving as a story for the middle section and I would stand by the belief that though the plot was good, it wasn’t perfect. It seemed sometimes too straight-forward or bit repetitive, but like an action movie. You sort of know what will happen, but you can still enjoy it. For me, the whole ending sequence was just brilliant. This is why I use the train crash analogy: you’d notice when you start to move, and you’d notice when you were on the main section of the journey, but you simply can’t ignore it when you crash. I don’t want to give away a thing about the ending though- I just want to say I thought it was utterly brilliant.

Conclusion (!)
A great book, and definitely a commendable sequel. It might not have been special in a particular way, but that might only be because it followed Divergent which was so fantastic. It’s a solid 5 for what it is and I’m oh-so-grateful to Karen for getting this for me! If anyone liked Divergent, they should definitely look into this.

Thursday, 17 November 2011

The Forest of Hands and Teeth by Carrie Ryan

4

This is a zombie apocalypse novel were bleak doesn't even cut it. The story is of Mary, a girl living in the last refuge of humanity ruled by The Sisters, and how she tries to live in this environment. Up until the zombies get into gear, this story is also very dystopian.

I just can’t write this without feeling depressed all over again (and slightly nervous). It’s truly a great story, and as someone who doesn’t like zombies, it credit to how easy it is to be drawn in. I never knew what to expect from the book: the cover gives nothing away and Mary herself is unpredictable because she constantly strives to fit in with society; all she really wants is to see the ocean since, to her, it is the only place truly untouched by the Unconsecrated.

At the start, the mechanics of the village are stiflingly dystopian. The Sisters rule with iron-clad authority and the Guardians are their hands. It appears to be a working society, but then Mary finds out some things, some by accident, and she begins to see the Sisters more as like occupying, brain-washing force than a force for God. She half-respects the sisters, especially Sister Tabitha, for their dedication, but it is something she doesn’t share. This kind of difference is what makes Mary so strange to the other villagers. Whereas they are happy to live, breed and help maintain human life, she wants more. She wants to be herself and not just a tool for humanity’s survival.

There were some really horrible moments in this book. The Zombie in red? My skin crawled every time she was mentioned. This one meant bad news whenever she was around, and seeing her destroy herself was even terrifying. And worse still: zombie children. This is a bit of a spoiler thing, but anyone who is thinking of reading this must know there are zombified children- even newborns. It made me sick to read, partly because I stick to books where children are safe even if deprived. But as ever, it was captivating.

Romance was kind of important in the book. The idea is that each girl in the village either marries and copulates or becomes a Sister: romance is only good luck. So when Mary finds love, it reiterates the oddity of our protagonist that I could I actually didn’t mind. For once, when I was told she’d loved him for a long time I didn’t groan since from what I already knew, it made sense. And it could have stayed that way, except a love triangle was introduced, and I kind of didn’t believe in Harry loving her. It struck me more as loyalty and friendship, which to him meant love. But not to Mary, and not to me. Travis was better in my mind because he understood her. As you may imagine, the love is going to cause a bit of pain.

I disliked three things, which are minor things depending on outlook. The first was the the pacing felt a bit odd. They’d be fighting and running for chapters, then they would just stop somewhere for ages. It felt a bit jumpy and annoying. But I get the constant moving; if they dwell, everything will catch up with them, literally and figuratively. I also disliked the battles themselves: at one point Mary just picks up an axe and starts swinging it a lot to kill loads of zombies. That sounds too simplistic to me, but I think that’s my fantasy roots showing through and wouldn’t bother most people. The final qualm and the biggest was that when our little group stops at one point, the men make the fire and the girls make the food. Earlier on, the men all took the weapons as well. Okay, the men were trained fighters unlike the women, but the feeling of sexism was kind of annoying. But I think Carrie realised this since it was written in a slightly clipped way, so I assume it was put in to conform to the society she made.

All in all, it was a good book. I was breathless reading it (seriously) and I had to stop sometimes to mentally prepare myself for whatever happened next. The use of the Sea also kept me reading: in these dire circumstances it was understandable why she had to believe this. (I actually have an analysis in my head of why she needed the sea, and why no-one else had dreams like her, but that would be too spoilery.) I imagine a lot of people have read this, but those who haven’t have been warned that this is a traumatic kind of book that has been superbly done.